Blogs like NYC Taper and BB Chronicles, alongside an endless rotation of torrent servers, specialized in sharing concert clips and archiving bootleg recordings of vintage concerts. Livestreamed and social media-boosted concert clips have become so ubiquitous that it’s jarring to look back and remember that for most of the internet’s history, filming concerts at all was verboten. And Taylor Swift just announced the release of an entire movie of her already-legendary Eras tour - conveniently dropping before the European leg of that tour kicks off. Last year, Rosalía and TikTok jointly earned a Latin Grammy nomination for a music film full of bite-size, clippable moments, all filmed on mobile phones, that aired live on the platform. The savviest artists not only know that their audience will have their phones out, but anticipate it. These aren’t your mom’s bootlegsĪcross a huge range of genres from K-pop to hardcore, streaming and sharing platforms like TikTok and Instagram are changing the way people think about streamed concert footage and viral moments from a live event. From buying tickets (good luck) to prepping for the big night by carefully planning the perfect concert outfit, these fans do it all - and many of them do it on camera, sharing the whole experience with other die-hards online.Ĭlearly we’re in a new era of concert media - and as with all eras, we’ve both gained and lost a little along the way. The age of streaming media has brought with it increased access to concert footage, front-row fancams, and highly mobilized fanbases who approach everything about the concert season like it’s their job. Powers isn’t the only person whose relationship to live entertainment has changed profoundly in recent years. And of course, he documented it all on TikTok, where it all began. The journey he embarked on led him to recapture his love of live music, discover even more bands, and hit his goal far earlier than he expected: He took in concert number 30, Weezer, last month. So Powers, who tells me he never does “anything half-assed,” started out 2023 with a goal of seeing 30 concerts before the end of the year. If Powers wanted to support all the new bands he was into, he couldn’t just watch concert clips on his feed: He needed to go to the concerts themselves. This was largely thanks to TikTok, which constantly served him concert clips of stylistically adjacent musicians via his feed, a broad swath of emo, metalcore, and post-punk artists.Īt the peak of this new/old obsession, however, Powers realized a grim truth about social media: Watching bands on TikTok didn’t put money in those artists’ pockets, and streaming residuals are so paltry that listening to albums on Spotify or YouTube wasn’t enough. But as Powers dove deeper and deeper into the music world, he found himself not only returning to beloved artists, but discovering new music and albums. In the wake of the pandemic, Craig Powers, a 38-year-old researcher from Tacoma, rediscovered his love for his favorite bands and albums.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |